Cuillin Bantock



Paintings - Acrylic on cotton duck (from 2012)

Paintings - Oil on board (2020-2022)

Paintings - Watercolours on paper

Morfa Harlech Studies - Conté drawings

Forty One Approaches to a View

The linocuts

Recollections of Barnt Green 1942-1955

Bounty: A case of preposterous optimism


Principal exhibitions



Workshops & lectures

A spot on the wall (2005)

A spot on the wall (Postscript 2022)


The Linocuts

Somewhere in his diaries, the late theatre critic Kenneth Tynan passes on a comment made to him that “the realization that what you are doing has huge limitations is in itself intensely liberating”. I find a great deal of truth in this statement.

In these linocuts I have used only one colour, mostly the same sized piece of lino, and mostly only a single cutting tool. Within these constraints a wide range of image-making seems possible...

Making images this way is sometimes regarded as a low-tech activity, presumably through its association with art classes during school years. It is in fact one of the most unforgiving and unfudgeable media there is, even more so than watercolour. Every detail of every step counts, everything finally shows; only very minor post-printing modifications are possible. It is sometimes necessary to repeat a block several times before an image ‘comes out right’. And even then one never knows exactly how it’s going to turn out.

These linocuts are obviously studio-based, but are derived from drawings made on-site, outside. I prefer to work in series: City of London, New York, Deptford Creek. Clevedon, Harlech morfa, and so on. In that way I can get better dug-in. The prints are made on 300g/m² paper.

Cuillin Bantock
June 2022

Click on any image to enlarge:

Copyright 2006. All rights reserved.